No film better represents the life cycle of a cult film than Robin Hardy’s The Wicker Man (1973). Initially a box office flop, the film vanished almost without a trace until a resurrection in America in the late 1970s, lauded then as “the Citizen Kane of Horror”. Now, the film is not only considered one of the best British films of all time, but is also part of the “unholy trinity” which form the bedrock of the now very popular folk-horror genre. But, as alluded to by Mathijs and Mendik above, the road travelled by the film, its cast, crew and creators (Hardy and screenwriter Anthony Shaffer) was not an easy one…

Drawing on footage shot for the upcoming documentary Children of The Wicker Man, this talk will consider the ways in which audiences and fans of the film have spent the past fifty years trying to understand every aspect of how this remarkable film came into being. The more sobering discoveries of the documentary, which in-part presents documents from Robin Hardy’s study thought lost, mirror the tragedy and sacrifice at the heart of The Wicker Man narrative. What pleasure do audiences derive, even today, not only from the diegetic film world itself, but from the meta stories of its production? Indeed, what price did this have, and what pain was endured by the film’s makers to get it finished?